Anemond Sloom- Extreme time stretcher – Page 3 – Effects Forum

At the risk of sounding obvious, I think the critical thing with these types of things is that the results are very dependent on what you put in.

Putting something like a Bell tree with the myriad of harmonics it produces gives a lot of wild results. Also the busier the soundsource like full on bird song really gives you some interesting potential.

I think that’s where the spectral filter in hand drawn mode comes into its own. You can just choose the areas that interest you and filter out the rest.

Things I’d love to see would be a basic pitch shift for the file mode. It doesn’t need to be time compensated just being able to pitch up or down a sample.

I’m ambivalent about other targets for the modulation (because I can do it in Ableton or Bitwig) but spectral shaper level would be an obvious one. And even better would be if we could modulate the spectral shapers horizontal movement to get spectral sweeps.